Much has been written about the built-in obsolescence of our throwaway society these days but there are some things – things that are the very embodiment of ‘classic design’ – that have longevity at their core. This is literally the case with Arne Jacobsen’s stacking chairs.

Withstanding up to 85kg

Each chair passes through 22 pairs of hands during its manufacture; the nine layers of wood veneer are carefully selected for homogenous strength of grain; the grain of two of the layers is laid perpendicular to the others to add strength, along with two layers of cotton stout; the UV bond between the seat and the frame is tested to a force of 300 Newtons; the bend between the seat and the back can take a load of 85kg – that means that if you turn the chair upside down, you can actually stand on it with total confidence (as shown above). The quality of these chairs means that they represent a solid investment and, when they are bought for a family home, they also become a treasured and valued heirloom that will last for generations.

To demonstrate this longevity it is worth looking at situations in which the chairs get a lot of use. The Ant Chair was designed in 1952 for Nova Nordisk Pharmaceuticals and some of the chairs from that date are still in use at the company nearly 60 years later.

Ant Chairs at Nova Nordisk

In 1962 Arne Jacobsen designed St Catherine’s College in Oxford. His designs went further than just the fabric of the building with cutlery, furniture, and lampshades being of his own idiosyncratic design. Series 7 Chairs grace the Library and the Refectory and many of these chairs too are still in use today.

Series 7 in St Catherines Refectory

The Royal Festival Hall on London’s South Bank receives 24 million visitors a year, a great many of whom sit in the foyers and restaurants of the building at some stage during their visit. The RFH started using the Series 7 Chair in 1995 and some of those original chairs are still in use. In 2007, during a major refurbishment, 650 more chairs were purchased and since then – a potential 147,000 ‘bums on seats’ for each chair – there have been only minor faults on just six chairs.

Series 7 in the Royal Festival Hall

Until the end of 2011, you can invest in this legendary longevity and also make a significant saving – buy six of the Series 7, Ant, Grand Prix or Lily chairs and only pay for five – equivalent to a discount of over 16%.

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Until the end of the year (31.12.2011), we have three great offers in conjunction with our partners at Fritz Hansen.

Six for the price of five on Arne Jacobsen stacking chairs: the Grand Prix, the Ant or the Series 7. Order six identical chairs and only pay for five – for example, six Series 7 chairs in coloured ash finish for £1,425 instead of £1,710. In our online store, the offer will be applied in the shopping basket as a discount when a quantity of 6 is selected. Since the launch of the Ant chair in 1952, the Arne Jacobsen stacking chairs have become design classics thanks to their functionality, durability and timeless design. This offer also applies to the ‘Lily’ or 3108 Chair.

More than 15% off orders for Swan Chairs in fabric Upholstery. Designed for the Royal Hotel Copenhagen in 1958, the Swan was ground-breaking at the time – no straight lines only curves. Now is the perfect time to order this design classic as a chair in Fame wool upholstery is only £1,887 instead of £2,245 or order in Divina wool upholstery for £1,995 instead of £2,385.

Finally, get 50% off a baby Kaiser Idell lamp when you order the Kaiser Idell Luxus Table Lamp or the Kaiser Idell Floor Lamp (6580F). That makes the baby lamp £195 instead of £390. Contact the Store for more details.

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The limited edition Aldwych collection designed by ARAM director Ruth Aram was launched at Decorex International at the end of September. It comprises a dressing table and two console tables.

The numbered series is made from reclaimed sweet chestnut wood which was salvaged from the neighbouring building to our Store on Drury Lane after it was demolished last year.

Aldwych Tables no 1 and 2

Aldwych No 1 Console Table has two drawers and a fixed shelf and measures 110 x 35 x 90cm. Aldwych No 2 Console Table also has a fixed shelf and is available with or without three brass hooks on the lefthand side and it measures 120 x 35 x 90cm.

Aldwych No 3 Dressing Table

Aldwych No 3 Dressing Table has four drawers lined with orange leather and a large mirror. The sweet chestnut wood is stained to a rich walnut colour and it measures 110 x 45 x 149cm with a table height of 71cm.

All items are on display in store and available to order.

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Today would have been Le Corbusier’s 124th birthday. Born Charles-Édouard Jeanneret in La Chaux-de-Fonds in north western Switzerland, he adopted his pseudonym in 1920. It is an altered form of his maternal grandfather’s name, Lecorbésier, and also means ‘like a crow’.
Undoubtedly one of the most renowned architects of both the Modernist movement and indeed of the Twentieth Century, Le Corbusier is possibly equally as well-known for the furniture designs that he developed along with his cousin Pierre Jeanneret and their collaborator Charlotte Periand for the exhibition ‘Equipment for the Home’ at the Salonne d’Automne in 1929. They included the LC1 chair (also known as the Basculant chair, referring to its tilting back) the LC2 and LC3 upholstered chairs (Fauteuil grand confort, petit modèle, and Fauteuil grand confort, grand modèle) and the LC4 Chaise Longue – possibly one of the most instantly recognisable pieces of furniture design of all time.

LC1 Chair and LC4 Chaise Longue

The LC1 'Basculant' Chair and the LC4 Chaise Longue

The LC2 and LC3 chairs

The LC2 'Grand Confort Petit Modele' and LC3 'Grand Confort Grand Modele'

In 1964 – one year before Le Corbusier’s death from a heart attack as he swam in the sea below Eileen Gray’s house E1027 at Roquebrune-Cap-Martin – he granted the licence to manufacture these iconic furniture designs to Cassina SpA of Meda in Northern Italy and thus the ‘Cassina i Maestri’ Collection was born. Cassina is still the only manufacturer authorised by the Fondation Le Corbusier to produce the designs to the exact specification and unparalleled levels of quality that he demanded. Each model is stamped with his signature and with an edition number, proving its provenance.

Edition number and signatures

An edition number and the designers' signatures stamped into the frame

As well as the pieces designed with Jeanneret and Perriand, Cassina also manufactures pieces created by Le Corbusier alone – most notably the LC12 Table, designed in 1925 for the Maison La Roche, which now houses the Fondation Le Corbusier, and the LC15 Table de Conférence, designed in 1958 for his own atelier in the rue de Sèvres in Paris.

Happy Birthday Corbu!

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Stendig Calendar

It’s here! Stock of the 2012 Stendig Calendar has arrived at Aram Store.
Favoured by architects and designers the world over – and beloved of all font fans – since 1966, Massimo Vignelli’s large wall calendar was taken in to the design collection of MoMA in New York that same year. It comprises tear-off sheets of sixty pound paper printed in the Helvetica font. The months randomly alternate black and white with the weeks always starting at Monday. The top binding of the 3′x4′ sheets (915mm x 1219mm) has three black eyelets for easy, level hanging. Incidentally, the sheets of past months also make excellent gift wrapping paper.

Stendig Calendar
Printed in very limited numbers, the Stendig Calendar always sells out quickly. Order early to avoid disappointment.

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LC1 Outdoor Chair

Cassina has taken full advantage of technological advances to develop new outdoor versions of some of the most important projects by Le Corbusier, Pierre Jeanneret, and Charlotte Perriand: LC1 armchair, LC3 armchair and two-seater sofa, LC7 small armchair, LC8 stool, LC10-P table along with the Tokyo chaise, designed by Perriand in 1940.

In collaboration with the Le Corbusier Foundation and Pernette Perriand-Barsac , Perriand’s daughter and heir, Cassina has carefully updated the materials and construction to make these icons of the Modern Movement resistant to extreme climates.

LC3 Outdoor Armchair

A structure in high grade stainless steel, naturally draining cushion fillings and fabrics developed for the boating industry provide a level of durability that ensures the furniture will remain in perfect condition – not soggy or mouldy.  The padding is ECOFILL, a hollow fibre that is totally natural, organic, hypoallergenic and hydrophilic. It dries quickly when exposed to the elements and is also very comfortable. The covering fabrics are stain and mould resistant and either self-draining or water-repellent.

These advanced materials make the new outdoor range a truly versatile and long-lasting option for these iconic pieces.

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Charles and Ray Eames designed the original brightly coloured Hang it All in 1953 to encourage children to hang up their stuff. However, it has become such a desirable classic that its appeal has never been limited to the very young. To enhance that appeal further, Vitra has introduced three slightly more ‘adult’ versions – for a very limited time for Christmas 2011.

The festive season may feel a while away but pre-order this special edition now for delivery in November as it is sure to sell out quickly.

There are two further special editions this Christmas too: George Nelson’s Ball Clock has been given a festive touch with Classic Red arms and natural Spruce balls and the iconic DSR Chair, also by Charles and Ray Eames, has been introduced with a dark powder coated rod base, dark polypropylene shell and dark grey wool front upholstery.

Photographs: Marc Eggimann © Vitra (www.vitra.com)

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Egg Chair and Footstool

Just a reminder that there is one month left of this fabulous offer, in conjunction with Fritz Hansen: order the iconic Egg™ Chair designed by Arne Jacobsen and receive a FREE matching footstool – order before the 30th September.

Arne Jacobsen designed the Egg™ for the lobby and reception areas in the Royal Hotel, in Copenhagen. The commission to design every element of the hotel building as well as the furniture was Jacobsen’s grand opportunity to put his theories of integrated design and architecture into practice. The Egg is one of the triumphs of Jacobsen’s total design – a sculptural contrast to the building’s almost exclusively vertical and horizontal surfaces. The Egg sprang from a new technique, which Jacobsen was the first to use; a strong foam inner shell underneath the upholstery. Like a sculptor, Jacobsen strove to find the shell’s perfect shape in clay at home in his own garage.

Now is the perfect time to order this piece of 20th Century design history.

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Aram Store is very pleased that we have now become distributors in the UK for the range of furniture designs currently being produced by the Italian manufacturers Mattiazzi.

Mattiazzi was formed in 1978 and over the last thirty years they have continually invested in the latest CNC (computer numeric controlled) machinery to keep their quality sharp but have never forsaken the original attitude of craftsmanship to their work which sees the majority of their output still shaped and finished by hand.

It is this combination of traditional skills incorporated with the latest furniture manufacturing technology that has led many of today’s influential designers such as Sam Hecht, Konstantin Grcic, the Bouroullec brothers and Nitzan Cohen towards working with Mattiazzi.

 

 

Osso Chair by Ronan and Erwan Bouroullec

 

 

Branca Chair by Sam Hecht and Industrial Facility

He Said / She Said Chair by Studio Nitzan Cohen

Please contact us for further information on Mattiazzi products by emailing aramstore@aram.co.uk or phoning the Store on 020 7557 7557.

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ARAM returns to Decorex for the second year running, following the success of last year’s show.

Products on show this year include sofas, storage, lounge chairs, occasional tables and lighting from manufacturers such as Cappellini, Cassina, Poltrona Frau, Röthlisberger Kollektion. We will also be showing designs by Eileen Gray, for which ARAM holds the worldwide license.

Highlights include the Schubladestapel designed by Susi and Ueli Berger; Tom Dixon’s S-Chair – a modern furniture icon; the Toot sofa – a new modular range for Cassina by Piero Lissoni; the Bretagne sofa designed by the Poltrona Frau R&D team; and Eileen Gray’s Daybed with the E1027 Adjustable Table.

ARAM will be exhibiting on stand number D139 / E157 and Decorex runs from 25th to 28th September at the Royal Hospital Chelsea, London.

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